(stolen from myself @Theurbandaily)
At a mere 23 years old Orlando-born Daniel Johson, aka Kane Beatz , has already helped make hip-hop history. While he is proud of music he’s produced for Trey Songz (“Bottom’s Up”) and Trick Daddy (“Tuck Your Ice”) his hit for Nicki Minaj, “Super Bass ” just helped her set a Billboard record. After ten weeks on the charts, the single bumped Missy Elliot’s “Work It” to become the most successful solo single by a female emcee in almost a ten years.
“That feels crazy,” he told TheUrbandaily.com of his achievement. “Working with Nicki, she is one of the only female artists in a while that has that kind of potential so it feels incredible.”
Beatz is part of a new wave of young producers (Boi-1da, Lex Luger, et al) taking the industry by storm working right from their computer desktops. “Super Bass” was one of four instrumentals he knocked out on Fruity Loops while visiting family in Orlando.
“I use a lot of 808 elements in the music,” he answers when asked what makes his bass so Kryptonian . “I was trying to mix R&B and Pop at the time. There’s no real trick to the bass.”
In addition to Billboard accolades the song has been covered by American Idol contestant Anoop Desai. While Kane hasn’t heard the cover, he feels it’s a testament to the song’s universal appeal. “I’ve had big records but ‘Super Bass’ connects people from so many different genres. I just take it in and enjoy it.”
As any musician will tell you in 2011, success doesn’t come without its challenges. Kane Beatz was also the producer behind Young Money’s hit, “Bedrock,” and the song has recently become the focus of a lawsuit. [read here].
“I talked to [my management] about it but nothing has come to them in the mail,” he says. “They don’t even know what that is. I think they had the same name or something. But people don’t understand what it is. Wayne didn’t even write that song. The song is based off an old school pick up line, so I’m not sure what the situation is there.”
Unlike some other producers, this may be the only time you hear Kane mention Lil Wayne and legal action in the same sentence. While a list of musicians, including Bangladesh, Playn-N-Skillz and Jim Jonsin are taking Lil Wayne to court for unpaid royalties, Beatz insists that his money is never funny when working with Weezy.
“Me personally I’m managed by G. Roberson so Cash Money has always kept the business 100 with me,” he says. “One thing I know about Wayne is that everybody who works with him still ends up working with him so they must be doing something right.”
After a busy and lucrative 2010 and 2011, Beatz has completed three songs with Nas for his up-coming album and is scouting talent for his label The Building.
“Right now I’ve got JR Get Money, he’s on Lupe Fiasco’s ‘The Show Goes On,’ we gotta new single with Plies and at the same time looking for new outlets. I’m looking for a female artist to invest in.”